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Imaad Majeed’s “Karst Typography” – Review By Lakshman Joseph De Saram

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As a musician, my interest was doubly piqued; what was it that made 15 people speak like one? Was there an invisible metronome at work; an imaginary conductor keeping time? Thinking about it, I think the answers were more mundane, like most music, spoken word too, has a rhythmic structure, much fainter however and open to wider margins of interpretation, ...

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